Wednesday, November 12, 2008

THE RAKES....london,UK

The Rakes formed in 2004. taking their name from The Rake's Progress, Rake meaning, a dissolute or profligate person, esp. a man who is licentious; roué. Although they have since joked in interviews that they took their name from the fact that they are "skinny as rakes." Since coming to fame in 2005, they have been associated with the British post-punk/art-rock scene, a genre shared by bands such as Bloc Party, Maxïmo Park, and The Futureheads. However, it could be argued that the Rakes originate from the east London/Whitechapel punk scene – along with The Others, The Libertines.
The Rakes write songs about working life, mundane routines, and escapism as shown on their acclaimed debut album Capture/Release that spawned the singles "22 Grand Job," "Work, Work, Work (Pub, Club, Sleep)," and "Retreat." Several of their singles have appeared in the UK top 40 list and their album Capture/Release reached #32 in the UK Album chart. Their take on working life has led some observers to describe them as the world's first post-
David Brent band. The "22 Grand Job" video shows them playing in an office environment – one of the main themes to their songs.
The Rakes accompanied
Franz Ferdinand on their 'You Could Have It So Much Better. ..' tour during the winter of 2005. They toured the UK throughout January and February 2006 – supported by White Rose Movement, Duels, Young Knives, Switches and Klaxons. Their London Astoria date sold out so far in advance that another two London dates – at Shepherd's Bush Empire – were added, which sold out. The Rakes Last London show was in March 2007 at Brixton Academy – This show, like all of their London dates so far, sold out. The band are booked to play at Jersey Live, an Indie/Rock festival in the Island of Jersey supporting The Fratellis and Kasabian.
The Rakes are quite famous for their fashion sense, and the particularly distinctive dress style: stripey tops or smart polo shirts, black
drainpipe jeans and black trainers. They also associated with the brands Fred Perry, Dior Homme and Louis Vuitton. Fashion designer Hedi Slimane was said to be so impressed by the band's music and dress sense that he based one of his collections around them. The Rakes also provided the soundtrack to the Dior Homme fashion show, with the song "The World Was A Mess, But His Hair Was Perfect". The song is eighteen minutes long, but a shorter version of was used by the band whilst touring in support of their first album, and is included on their second album. This is the second single from Ten New Messages.
The last single from Capture/Release, "All Too Human", was released in the UK on
27 February 2006 and reached their best chart position (22) to date. It was their first new material since the release of Capture/Release in August 2005. The single enjoys a similar name to one of Friedrich Nietzsche's books, "Human, All Too Human" published in 1878. This is unlikely to be a coincidence as Alan Donohoe is rarely pictured without a book and is extremely interested in literature. The Rakes played at Trinity May Ball on 19 June 2006.
They second headlined the NME/Radio 1 stage at 2006's
Carling Weekend (Reading/Leeds festivals) – playing just before Maxïmo Park, the spot taken by The Futureheads at 2005's Carling Weekend.
In 2006, they covered of the song Le poinçonneur des Lilas by the French singer
Serge Gainsbourg. The Rakes' version was named Just a Man With A Job. It was for a covers album, entitled Monsieur Gainsbourg Revisited, a project in which many bands (including Franz Ferdinand and Placebo) took part.
The Rakes' second album, Ten New Messages was released by V2 Records on
19 March 2007. This album was produced by Jim Abiss (who has also worked with Arctic Monkeys, Editors and Kasabian) and Brendan Lynch (who has worked with Primal Scream). It was recorded in Mayfair Studios in London during the autumn of 2006.
On speaking about the album, the singer Alan Donohoe stated that the album was inspired by a combination of
choral music, the television show 24, Bond theme tunes, World War I poets and the Sugababes.
They have just completed their first tour of the UK since the release of Ten New Messages, including their biggest headline show to date including a sold out show at
Brixton Academy.
The band is already finishing the third album, who doesn't have a name yet. It has been recording at
Karl-Marx-Allee in East Berlin in a studio that was the former East German Government's center for radio broadcasts[1]. About the album, Alan posted in the official site:
"The record is raw but focused. We wanted to capture as much as possible the feeling of a band playing together live in a room so we're set up in the main room of the studio huddled around the drum kit at the bottom of some extravagant stairs, once used to create the crazy sound effects for radio plays recorded here. The atmosphere that this place generate is truly unique!"

lets check out the rakes songs

http://musicservices.myspace.com/Modules/MusicServices/Services/Embed.ashx/ptype=4,ap=1,plid=22623,artid=5718269,skinid=16,profid=22113281,shuffle=1



JULIES GOES OVERSEAS

DITUBUHKAN PADA AWAL TAHUN 2005 OLEH EMPAT RAKAN SEKOLAH, AZWAN, JAZLAN, WAN, DAN ANT. JULIE GOES OVERSEAS LAHIR HASIL DARI KEGILAAN MEREKA TERHADAP BAND-BAND TEMPATAN DAN ANTARABANGSA PADA KETIKA ITU.MEREKA MULA BERMUZIK BERSAMA DENGAN JAZLAN MEMEGANG POSISI VOKAL DAN DRUM,AZWAN DAN ANT DI POSISI GITAR DAN WAN DI POSISI BASS.PADA AKHIR TAHUN 2005, MEREKA TELAH MENERBITKAN DEMO PERTAMA MEREKA YANG BERTAJUK "THE HEART OF A POOR LITTLE KID" DAN "SENYUMAN BIDADARI" PADA AKHIR TAHUN 2006.MEMEGANG POSISI DRUM DAN VOKAL PADA MASA YANG SAMA MENIMBULKAN KESUKARAN BUAT JAZLAN,DAN TAM YANG MERUPAKAN KENALAN KEPADA JAZLAN DAN ANT PADA KETIKA ITU TELAH MENAWARKAN DIRINYA UNTUK MEMEGANG POSISI DRUM.SETELAH BELIAU DITERIMA SEBAGAI PEMAIN DRUM,JULIE GOES OVERSEAS TELAH MENERBITKAN MATERIAL KETIGA MEREKA BERTAJUK "INI SINGLE" PADA AKHIR TAHUN 2007 YANG TELAH MEMBUKA MATA PENDENGAR MUZIK INDEPENDENT PADA MASA ITU.SINGLE TERSEBUT TELAH TERJUAL LEBIH DARI 2000 KEPING DAN MENCAPAI BILANGAN MUAT TURUN SEBANYAK 40 000 KALI HINGGA KE HARI INI.DI AWAL TAHUN 2008 PULA,TAM TELAH MENGAMBIL KEPUTUSAN UNTUK MENGUNDURKAN DIRI DAN TEMPATNYA TELAH DIGANTI OLEH MONCHE.MEREKA TELAH MENGADAKAN LEBIH DARI 30 PERSEMBAHAN DARI AWAL TAHUN 2008 SALAH SATU DARIPADANYA IALAH "ROAD TO ROTTW SOUNDSTAGE" DIMANA MEREKA TELAH MENDAPAT KELIMA DARI PULHAN BAND YANG BERTANDING DARI SELURUH NEGARA DI DALAM ACARA "BATTLE" ITU.PADA AUGUST 2008,MEREKA TELAH MENERBITKAN ALBUM MINI DEBUT PERTAMA MEREKA IAITU "OH BULAN"YANG MENGANDUNGI 3 BUAH LAGU DARI DEMO-DEMO LAMA MEREKA DAN 2 BUAH LAGU BARU.DENGAN DEMAM INDIE YANG MELANDA MALAYA,JULIE GOES OVERSEAS MENJANJIKAN KELAINAN KEPADA PENDENGAR MUZIK INDEPENDENT DI LUAR SANA.DENGARKANLAH LAGU MEREKA DAN SUPPORTLAH SIN LOKAL!YEAH!

JOM CHECK OUT LAGU DIORANG
http://musicservices.myspace.com/Modules/MusicServices/Services/Embed.ashx/ptype=4,ap=1,plid=35884,artid=11911487,skinid=16,profid=65707329,shuffle=0

MODERN MINIMALIS GLAMOUR

The TimesModern Minimalis Glamour(Gizmo)Just a year after their second album Nada Melankolik Malaya, The Times are back with Modern Minimalis Glamour. Rocking with a tough swagger reminiscent of their debut Soda Pop Rok ‘N’ Rol, only now do we find them exploring more and sometimes different facets of their Britpop/rock obsession. Parting ways with Clockwork Records, the band are now under the new Gizmo Records imprint. Perhaps rejuvenated by the change of label and environment, this is clearly The Times at their most determined, and the most commercial they have ever sounded in their career.Opening with the New Order inspired title track ‘Modern Minimalis Glamour’, The Times clearly signal their intention to sound unlike any other Malay band without forgetting the need to have great, memorable melodies. And what a success it is as a statement of intent and as an album opener. We’re then rocked by the confident, tough and glamorous ‘Kerusi Elektrik’, written by bassist Mono. It’s not yet T-Rex, but definitely close to the swagger exhibited by Oasis on their debut Definitely Maybe.‘Tunjuk Perasaan’ is another New Order-inspired track, except with a more live drum feel to it. As is now a trademark with The Times, what follows is ‘Primadona’, their customary, achingly lovely ballad in the vein of last album’s ‘Infra Merah’. ‘Khayal Khayalan’ then follows with some of the most infectious “woo hoo”s ever in the refrain. We’re then treated to ‘Sisa Sisa’, a brilliantly catchy song where everything in it is memorable, including the lead guitar lines.The Times seem to follow up every track on the album with one melodic gem after another. Unlike their patchy debut and not-too-upbeat sophomore, this album sees them finally maturing and being confident enough to just let the songs do the talking–and let the awesome track sequencing speak for itself.

CATCH THEIR LATEST SONGS HERE
http://musicservices.myspace.com/Modules/MusicServices/Services/Embed.ashx/ptype=4,ap=1,plid=33324,artid=8992297,skinid=16,profid=22855668,shuffle=0



BUNKFACE







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sam....paan...biak..youk

Saturday, November 1, 2008

aLooOp sUme bLOgGers

alOPP...aku baru jEr cReAt aKu nYEr bLOg nEh...